Entertainment news - latimes.com

Gloria Steinem went undercover as a Playboy bunny to expose the working conditions of women. She paid a hefty price, but in the end, women benefitted because of Steinem's risk.

A24's sweeps-ploitation drama may deflate the TV host's ego, but it's so in love with its protagonist it can't see he's the least compelling character in the movie.

Oscar-nominated filmmakers Betsy West and Julie Cohen revisit Windows on the World, the World Trade Center restaurant where 79 workers and 91 guests died on 9/11.

Ellen McLaughlin's modern verse translation of Shakespeare's 'Pericles' has its West Coast premiere at Boston Court Pasadena.

Jon Wertheim's Rams profile leads the Sept. 13 season premiere of "60 Minutes" — the first since Bari Weiss' purge of the CBS News newsmagazine.

Gutman is no longer a part of a wrongful termination suit filed against ABC that claimed he used inappropriate language in the workplace.

Released with Beyoncé's 20th anniversary edition of her 2006 album 'B'Day,' her Selena-infused song 'Irreemplazable (Como La Flor)' isn't her first tribute to the Queen of Tejano.

'Wheel of Fortune' fired its longtime announcer, Jim Thornton, following recent revelations that linked him to a pedophilia chat room.

In her first solo show, artist Neveah Marquez, known as Perry Picasshoe, explores the concept of sanctity through vulnerable self-portraits and a confession booth that reveals guests' secrets.

Gloria Steinem always listened more than she spoke, which is one reason her words had such lasting impact.

The FCC is arguing Disney's lawsuit is a wrong-headed attempt to short-circuit the agency's review process after ABC was deficient in its earlier responses.

Director Adam Wingard made his name with small-budget action-horror gems like "You're Next" and "The Guest," but his return to them is disappointing.

John Boorman was contracted by Warner Bros. to make a sequel to 'The Exorcist.' Even though the movie unraveled, he recounts the experience with pride.

Director and writer Rafael Manuel sets up his scabrous social comedy in the Philippines, where the wealthy play and young women serve as 'tee girls.'