L.A. Times - Movie News

His name in the title, the director isn't especially distinctive as a stylist, but his tale of child possession sometimes hits the right gory notes.

Even though Lorne Michaels is the subject of Morgan Neville's dutiful profile, he remains something of an elusive mystery, burnished by famous friends.

Anne Hathaway and Michaela Coel play a diva and her designer, one of them with a score to settle, in a movie that could have used less exposition and more drama.

Director Ben Wheatley returns to the hyperviolent mode of "Free Fire" with a movie set in Minnesota, where the sheriffs are no longer as gentle as the one in "Fargo."

When two old pals reconnect, volcanoes spew and current romantic partners fear the worst in Pete Ohs' transporting tale of female friendship and release.

Defense Secretary Pete Hegseth recited dialogue drawn from the film "Pulp Fiction" at a Pentagon prayer service, using it to frame the war in Iran as an act of divine justice.

Mel Brooks announced that 'Spaceballs 2: The Search for More Money' is not the sequel's official title. Here's everything to know about 'The New One.'

A new Hogwarts Express experience will let you live out your 'Harry Potter' dreams aboard a real moving train at the Southern California Railway Museum.

Nearly five years after an almost-fatal heart attack, Odenkirk returns to the action genre with "Normal," marking the latest twist in an unpredictable career.

The original 'Faces of Death' left high school students of the 1980s and 1990s so traumatized that they took their teachers to court.

The letter was signed by nearly 1,000 artists and movie creators, including Ben Stiller, Bryan Cranston, Noah Wyle, Joaquin Phoenix, Kristen Stewart and Jane Fonda.

Director François Ozon, better known for lighter soufflés, takes on a demanding piece of literature and serves it well, with absorbing pools of isolation and detachment.

It's not impossible to translate a video game to the big screen, but Genki Kawamura's film version of a Japanese puzzle achieves a monotony that may be intentional.

Two extremely charming leads, Halle Bailey and Regé-Jean Page, play out a specific kind of romantic dream narrative, effectively mounted even if we know it well.