L.A. Times - Movie News

Diane Keaton's cause of death has come to light just days after the beloved "Annie Hall" and "First Wives Club" star died in Los Angeles at age 79.

Set in the lurid environment of gaming mecca Macau, the movie is notable for assembling good elements, including 'Conclave' director Edward Berger, and squandering them.

Drew Struzan, who created some of the most iconic posters for movies including 'Star Wars,' 'Raiders of the Lost Ark,' 'Back to the Future' and 'Hellboy,' has died. He was 78.

His most recent movie, the Palme d'Or-winning 'It Was Just an Accident,' is only the latest of a 30-year career that's thrown the filmmaker obstacles at every turn.

'KPop Demon Hunters' creator and a co-director say a live-action adaptation of the animated Netflix hit 'wouldn't work' because it would 'feel too grounded.'

Diane Keaton was a heartthrob for a number of Hollywood's leading men, including exes Woody Allen and Al Pacino. 'Why we parted only God and Freud might be able to figure out,' Allen says.

Her singular fashion sense — best captured in 'Annie Hall' — masked the actor's insecurity. But when it came to Diane Keaton, we fell in love with the whole package.

Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations in our new series.

Diane Keaton, the Oscar-winning star known for films including 'Annie Hall' and 'The Godfather,' has died at 79.

Stars Channing Tatum and Kirsten Dunst and director Derek Cianfrance explain how they channeled Frank Capra to turn a true crime story into a Christmas movie with heart.

Using mostly police bodycam footage, Geeta Gandbhir's harrowing documentary chronicles failed law enforcement and the damage that can be caused by one person.

Like many franchise films, "Tron: Ares" makes sure to leave the door open for future stories in its ending and a mid-credits scene.

Now streaming on HBO Max, animated movie 'Aztec Batman: Clash of Empires' uses the beloved DC Comics superhero to teach Indigenous peoples' history.

Derek Cianfrance, generally a director of tougher indies ('Blue Valentine'), steps gamely into a comic true story about a resourceful ex-military thief and his stakeouts.

All this sequel had to be was a Nine Inch Nails-scored mood, but pre-chewed ideas about sentience and AI, coupled with a nonsensical plot, turn it into a chore.