“A Strange Loop” and five other contenders will duke it out for the top prize at the 2022 Tony Awards — outstanding new musical — as the nominations announced Monday in 26 categories herald the successful completion of the first full Broadway season since pre-pandemic 2019.
But the 2019 Pulitzer-winning “A Strange Loop” — the raucously witty tale of a struggling Broadway composer by Michael R. Jackson — has to be considered the early front-runner for the evening’s most coveted award. It garnered the most nominations, 11, of any of the 29 productions that received recognition from the panel of 29 Tony nominators. Some 650 producers, designers, actors and other theater people will now cast their votes for the awards to be bestowed on June 12 at Radio City Music Hall.
The contest for best new play is another robust category, with five worthy entries: Lynn Nottage’s “Clyde’s”; Martin McDonagh’s “Hangmen”; Stefano Massini and Ben Power’s “The Lehman Trilogy”; Tracy Letts’s “The Minutes”; and Dominique Morisseau’s “Skeleton Crew.”
The nominations were revealed Monday morning on the Tony Awards YouTube page by actors Adrienne Warren and Joshua Henry. The 75th ceremony is a return to traditional form for the Tonys, which were forced by the coronavirus shutdown in March 2020 to scrub the festivities that year. The awards for the truncated 2019-20 season were finally handed out last September.
It appears that the nominators concluded there were so many worthy performances they couldn’t narrow down their lists to the traditional four or five nominees. As a result, there are seven actors vying for best actor in a play, among them all three of the stars of “The Lehman Trilogy,” an epic 3 ½-hour account of the 140-year rise and demise of the Lehman Brothers investment house. They are Simon Russell Beale, Adam Godley and Adrian Lester.
The nominations include many notable performances and a few glaring exclusions: no best musical revival nod for “Funny Girl,” and a virtual shutout of its creators and performers, with the exception of Jared Grimes as a best supporting actor candidate. “Company,” “Caroline, or Change” and “The Music Man” will compete in the musical revival category. For best revival of a play, the nominees are David Mamet’s “American Buffalo,” Ntozake Shange’s “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf,” Paula Vogel’s “How I Learned to Drive,” Richard Greenberg’s “Take Me Out” and Alice Childress’s “Trouble in Mind.”
The acting categories brim with lovely performances. Some of the most interesting: Deirdre O’Connell, as a kidnapping victim, lip-syncing to a recording of the voice of the actual victim in Lucas Hnath’s “Dana H.”; Myles Frost, the uncanny channeler of Jackson in “MJ”; Jaquel Spivey, who goes up against him as the central character in “A Strange Loop”; Sharon D. Clarke, for her stunning turn as the title character in “Caroline, or Change”; and LaChanze, for a breakout dramatic performance in “Trouble in Mind.”
The lack of a category for performance by an ensemble is felt keenly this year, as several plays and musicals in contention seem worthy of such a prize. These include “The Minutes” and “Take Me Out,” among the plays, and “Six,” “Girl From the North Country” and “A Strange Loop,” among the musicals. (L Morgan Lee and John-Andrew Morrison nabbed nominations for supporting performances in “A Strange Loop.”)
Some big-name actors received nods, too, among them Hugh Jackman and Sutton Foster, for “The Music Man”; Sam Rockwell, for “American Buffalo”; and Crystal, for “Mr. Saturday Night.”
The Tony Awards will be hosted by Oscar winner Ariana DeBose and broadcast live in two parts on Sunday, June 12, from Radio City Music Hall. The first hour will stream at 7 p.m. Eastern on Paramount Plus, followed by a three-hour telecast on CBS starting at 8 p.m. Eastern.
