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  • A worker guides in a piece of the Field Museum's...

    Chris Walker / Chicago Tribune

    A worker guides in a piece of the Field Museum's new 122-foot-long titanosaur skeleton named Maximo on May 23, 2018.

  • Nick Cave has been singing about mortality for decades, and...

    Carl Court / Getty-AFP

    Nick Cave has been singing about mortality for decades, and he's really good at it. Whether the narratives are biblical or pulpy, the victims innocents or death row convicts, the circumstances comprehensible or cruelly random, Cave's songs are on intimate terms with the infinite ways a life can be extinguished. And yet, "Skeleton Tree", his latest album with his estimable band, the Bad Seeds, is a relatively concise song cycle shadowed by death that feels different than all the rest. Read the full review.

  • Hanging gardens are among the new enhancements to Stanley Hall...

    Chris Walker / Chicago Tribune

    Hanging gardens are among the new enhancements to Stanley Hall on view on June 1, 2018, at the Field Museum.

  • A visitor to the Field Museum touches the completed model...

    Chris Walker / Chicago Tribune

    A visitor to the Field Museum touches the completed model of Maximo, the titanosaur skeleton, in Stanley Hall on June 25, 2018.

  • Workers at the Field Museum begin the process of assembling...

    Chris Walker / Chicago Tribune

    Workers at the Field Museum begin the process of assembling the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 23, 2018.

  • On "22, A Million," Justin Vernon reimagines his music from...

    AP

    On "22, A Million," Justin Vernon reimagines his music from the bottom up by letting technology — synthesizers, treated vocals, electronic sound effects — dictate. The songs retain their melancholy cast, but now must fight for air beneath static and noise. Read the full review.

  • The revised Stanley Field Hall at the Field Museum now...

    Chris Walker / Chicago Tribune

    The revised Stanley Field Hall at the Field Museum now has a titanosaur named Maximo, as well as hanging gardens and other exhibits.

  • A crew from the Field Museum moves a vertebrae section...

    Chris Walker / Chicago Tribune

    A crew from the Field Museum moves a vertebrae section of Maximo, a titanosaur, into the Field Museum on May 23, 2018. It is part of a multiday process of installing the skeleton cast in Stanley Field Hall.

  • Production manager Maximiliano Iberluca holds a section of cast dinosaur...

    Chris Walker / Chicago Tribune

    Production manager Maximiliano Iberluca holds a section of cast dinosaur tail during the installation of the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 24, 2018.

  • The new album embraces her individuality more explicitly than ever,...

    Jean-Baptiste Lacroix, AFP/Getty Images

    The new album embraces her individuality more explicitly than ever, both more autobiographical and more politically and socially direct than anything she'd recorded previously. It's a rawer, less elaborate work than its predecessors, yet still hugely ambitious. Read the review

  • Kendrick Lamar's "Untitled, Unmastered" is presented as an unfinished work,...

    Matt Sayles/Invision/AP

    Kendrick Lamar's "Untitled, Unmastered" is presented as an unfinished work, though it rarely sounds like one. Read the review.

  • Workers at the Field Museum begin the process of assembling...

    Chris Walker / Chicago Tribune

    Workers at the Field Museum begin the process of assembling the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 23, 2018 .

  • At the Field Museum, Michael Paha, left, production supervisor for...

    Chris Walker / Chicago Tribune

    At the Field Museum, Michael Paha, left, production supervisor for the museum, and Walter Mora production manager for the Museo Paleontologico Egidio Feruglio in Argentina, install the tail on the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 24, 2018.

  • Visitors to the Field Museum gather around the new base...

    Chris Walker / Chicago Tribune

    Visitors to the Field Museum gather around the new base for Maximo, the titanosaur skeleton model in Stanley Hall on June 25, 2018.

  • Woody introduces the gang to a homemade spork toy with...

    Pixar / AP

    Woody introduces the gang to a homemade spork toy with self-esteem issues in "Toy Story 4."  Read the review.

  • "Lemonade" is more than just a play for pop supremacy....

    Lawrence K. Ho / Los Angeles Times

    "Lemonade" is more than just a play for pop supremacy. It's the work of an artist who is trying to get to know herself better, for better or worse, and letting the listeners/viewers in on the sometimes brutal self-interrogation. Read the full review.

  • A view upward at the Field Museum shows the model...

    Chris Walker / Chicago Tribune

    A view upward at the Field Museum shows the model skeleton of the titanosaur Maximo, the centerpiece of a newly remodeled Stanley Hall, that includes hanging gardens and models of prehistoric flying reptiles on June 25, 2018.

  • On her seventh studio album, "Golden Hour" (MCA Nashville), the...

    John Konstantaras / Chicago Tribune

    On her seventh studio album, "Golden Hour" (MCA Nashville), the singer-songwriter doesn't get hung up on genre. She's made a style-hopping pop album that infuses her songs with a relaxed spaciousness while muting, but not ignoring, her country roots. Read the review

  • Maggie Holcomb, a senior marketing manager at the Field Museum,...

    Chris Walker / Chicago Tribune

    Maggie Holcomb, a senior marketing manager at the Field Museum, shoots a photo of the cast skeleton of the dinosaur named Maximo on May 25, 2018. She was there for a reception for employees after a crew mounted the head on the model, nearly finishing the installation of the model in Stanley Field Hall.

  • Field Museum Exhibitions Production Director Dan Breems, left, moves on...

    Chris Walker / Chicago Tribune

    Field Museum Exhibitions Production Director Dan Breems, left, moves on May 23, 2018, a part of Maximo, the skeleton cast of a titanosaur, into the Field Museum's south entrance as part of a multiday installation process. The vertebrae were too big to fit in the museum's freight elevator.

  • Now "Schmilco" (dBpm Records) arrives, a product of the same...

    Nuccio DiNuzzo/Chicago Tribune

    Now "Schmilco" (dBpm Records) arrives, a product of the same recording sessions that produced "Star Wars" but a much different album. Though it's ostensibly quieter and less jarring than its predecessor, it presents its own radical take on the song-based, folk and country-tinged side of the band. Read the full review.

  • "Blonde" is a critique of materialism with Frank Ocean employing...

    Jordan Strauss / AP

    "Blonde" is a critique of materialism with Frank Ocean employing two distinct voices, like characters in a play, a recurring theme throughout the album and perhaps its finest sonic achievement. A party spirals out of control, the music rich but low key, a melange of organ and hovering synthesizers. Ocean uses distorting devices on his voice to add emotional texture and to enhance and sharpen the characters he briefly embodies. The upshot: They're all little slices of Ocean's personality with a role to play and they each sound distinct. Read the full review.

  • Warpaint's unerring feel for gauzy hooks and slinky arrangements germinated...

    Chris Sweda / Chicago Tribune

    Warpaint's unerring feel for gauzy hooks and slinky arrangements germinated over a decade and flourished on the quartet's excellent 2014 self-titled album. But the band has always nudged its arrangements onto the dance floor — subtly on record, more overtly on stage — and "Heads Up" (Rough Trade) gives the group's inner disco ball a few extra spins. Read the review.

  • A grown-up Christopher Robin returns to the Hundred Acre Wood...

    Laurie Sparham / AP

    A grown-up Christopher Robin returns to the Hundred Acre Wood and his best friend Winnie the Pooh. Read the review.

  • Not many albums could survive Ed Sheeran performing reggae, but...

    AP

    Not many albums could survive Ed Sheeran performing reggae, but Pharrell Williams always took chances — not all of them successful — in N.E.R.D.Despite the Sheeran gaffe, "No One Ever Really Dies," the band's first album in seven years, is a typically diverse, trippy ride from the group that established Williams' career as a performer in the early 2000s alongside Chad Hugo and Shay Haley. Read the full review.

  • Workers assemble the Field Museum's new 122-foot-long  titanosaur skeleton named...

    Chris Walker / Chicago Tribune

    Workers assemble the Field Museum's new 122-foot-long  titanosaur skeleton named Maximo on May 23, 2018. The new dinosaur, which will be on display where Sue the T-Rex once stood, is being assembled for a June 1 debut in Stanley Field Hall.

  • Workers repaint the cast skeleton of a titanosaur named Maximo,...

    Chris Walker / Chicago Tribune

    Workers repaint the cast skeleton of a titanosaur named Maximo, one of the new enhancements to Stanley Hall, on June 1, 2018 at the Field Museum.

  • An Atlanta teenager (Amandla Stenberg) deals with the death of...

    Erika Doss / AP

    An Atlanta teenager (Amandla Stenberg) deals with the death of her friend in "The Hate U Give," director George Tillman Jr.'s fine adaptation of the best-selling young adult novel.  Read the review.

  • Risk-prone 13-year-old Stevie (Sunny Suljic, left) shares some of his...

    Tobin Yelland / AP

    Risk-prone 13-year-old Stevie (Sunny Suljic, left) shares some of his angst with one of the local LA skateboarding idols, Ray (Na-Kel Smith), in writer-director Jonah Hill's "Mid90s." Read the review.

  • Workers at the Field Museum begin the process of assembling...

    Chris Walker / Chicago Tribune

    Workers at the Field Museum begin the process of assembling the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 23, 2018.

  • A worker guides in a piece of the Field Museum's...

    Chris Walker / Chicago Tribune

    A worker guides in a piece of the Field Museum's new 122-foot titanosaur skeleton named Maximo on May 23, 2018.

  • Reunited for a family wedding, former lovers played by Penelope...

    Teresa Isasi / AP

    Reunited for a family wedding, former lovers played by Penelope Cruz and Javier Bardem find themselves embroiled in a kidnapping in "Everybody Knows," directed by Asghar Farhadi. Read the review.

  • Workers at the Field Museum begin the process of assembling...

    Chris Walker / Chicago Tribune

    Workers at the Field Museum begin the process of assembling the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 23, 2018.

  • Hanging gardens are among the new enhancements to Stanley Hall...

    Chris Walker / Chicago Tribune

    Hanging gardens are among the new enhancements to Stanley Hall on view on June 1, 2018, at the Field Museum.

  • "Black America Again" (ARTium/Def Jam) arrives as a one of...

    Nuccio DiNuzzo / Chicago Tribune

    "Black America Again" (ARTium/Def Jam) arrives as a one of the year's most potent protest albums. The album sags midway through with a handful of lightweight love songs, but finishes with some of its most emotionally resounding tracks: the "Glory"-like plea for redemption "Rain" with Legend, the celebration of family that is "Little Chicago Boy," and the staggering "Letter to the Free." Read the review.

  • "Love & Hate" shows Kiwanuka breaking out of that stylistic...

    AP

    "Love & Hate" shows Kiwanuka breaking out of that stylistic box. His core remains intact: a grainy, world-weary voice contemplating troubled times in intimate musical settings. The album announces its more ambitious intentions from the outset, with the trembling strings, episodic piano chords and wordless vocals of the 10-minute "Cold Little Heart." It's a striking, if atypical, approach to reintroducing himself to his audience — a five-minute preamble before Kiwanuka begins to sing. Read the full review.

  • A tropical island boat captain (Matthew McConaughey) and his much-abused...

    Graham Bartholomew / AP

    A tropical island boat captain (Matthew McConaughey) and his much-abused ex-wife (Anne Hathaway) enter a vortex of rough justice and fancy riddles in "Serenity." Read the review.

  • Visitors to the Field Museum lounge on the base for...

    Chris Walker / Chicago Tribune

    Visitors to the Field Museum lounge on the base for Maximo, the titanosaur skeleton model in Stanley Hall on June 25, 2018. The base for the dinosaur cast completes a remodeling of the hall, and visitors may now walk under the beast and touch it.

  • Penniless, driven, the Dutch painter Vincent van Gogh (Willem Dafoe)...

    CBS Films/Lily Gavin

    Penniless, driven, the Dutch painter Vincent van Gogh (Willem Dafoe) regards his next canvas subject in "At Eternity's Gate," directed by visual artist and filmmaker Julian Schnabel. Read the review.

  • Isabelle Huppert and Chloe Grace Moretz star in the thriller...

    Jonathan Hession / AP

    Isabelle Huppert and Chloe Grace Moretz star in the thriller "Greta." Read the review.

  • Workers at the Field Museum begin the process of assembling...

    Chris Walker / Chicago Tribune

    Workers at the Field Museum begin the process of assembling the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 23, 2018.

  • Sound often says it all in Drake's world, but "Views"...

    Frank Gunn / The Canadian Press

    Sound often says it all in Drake's world, but "Views" plays in a narrow range. The trademark hovering synths and barely-there percussion edge out most of the hooks, in favor of long fades and enervated tempos that start to drag about halfway through this slow-moving album. Read the review.

  • Workers at the Field Museum begin the process of assembling...

    Chris Walker / Chicago Tribune

    Workers at the Field Museum begin the process of assembling the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 23, 2018. Most of the skeleton is scheduled to be completed by Friday.

  • Elton John (Taron Egerton) lays down a track for his...

    David Appleby / AP

    Elton John (Taron Egerton) lays down a track for his express train to super-stardom in "Rocketman." The musical biopic co-stars Jamie Bell as lyricist Bernie Taupin. Read the review.

  • Childhood friends and uneasy lovers played by Yoo Ah-in (left)...

    WellGo USA

    Childhood friends and uneasy lovers played by Yoo Ah-in (left) and Jeon Jong-seo (center) find their lives disrupted by a mysterious man of means (Steven Yeung, right) in "Burning." Read the review.

  • Vanellope von Schweetz (voiced by Sarah Silverman) and Ralph (John...

    AP

    Vanellope von Schweetz (voiced by Sarah Silverman) and Ralph (John C. Reilly) zip around the web in a mad dash to save Vanellope's arcade game, "Sugar Rush," in this wild sequel to the 2012 "Wreck-It Ralph." Read the review.

  • In contrast, "Junk" (Mute"), M83's seventh studio album, sounds chintzy...

    Armando L. Sanchez / Chicago Tribune

    In contrast, "Junk" (Mute"), M83's seventh studio album, sounds chintzy — a bubble-gum snyth-pop album that indulges Gonzalez's love of decades-old TV soundtracks, hair-metal guitar solos and kitschy pop songs. Read the full review.

  • Unburdened by Batman and Superman, the DC Comics realm turns...

    Steve Wilkie / AP

    Unburdened by Batman and Superman, the DC Comics realm turns in a not-bad origin story buoyed by Zachary Levi as the superhero version of 15-year-old Billy Batson (Asher Angel). Read the review.

  • Cystic fibrosis patients Stella (Haley Lu Richardson) and Will (Cole...

    Patti Perret/CBS Films

    Cystic fibrosis patients Stella (Haley Lu Richardson) and Will (Cole Sprouse) negotiate a tricky mutual attraction in "Five Feet Apart," directed by Justin Baldoni.  Read the review.

  • Stephan James and KiKi Layne play Fonny and Tish, expectant...

    Tatum Mangus / AP

    Stephan James and KiKi Layne play Fonny and Tish, expectant parents in 1970s Harlem in the new James Baldwin adaptation "If Beale Street Could Talk."  Read the review.

  • This image released by Fox Searchlight Films shows Olivia Colman...

    Atsushi Nishijima / AP

    This image released by Fox Searchlight Films shows Olivia Colman in a scene from the film "The Favourite." (Atsushi Nishijima/Fox Searchlight Films via AP)

  • Walter Mora, production manager for the Museo Paleontologico Egidio Feruglio...

    Chris Walker / Chicago Tribune

    Walter Mora, production manager for the Museo Paleontologico Egidio Feruglio in Argentina, works atop a lift installing a tail on the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 24, 2018.

  • A late-night TV talk show host (Emma Thompson) faces falling...

    Emily Aragones / AP

    A late-night TV talk show host (Emma Thompson) faces falling ratings, personal crises and a blindingly white-male writers' room in "Late Night," co-starring and written by Mindy Kaling. Read the review.

  • At the Field Museum, Walter Mora, production manager for the...

    Chris Walker / Chicago Tribune

    At the Field Museum, Walter Mora, production manager for the Museo Paleontologico Egidio Feruglio in Argentina, installs neck ribs on May 25, 2018, on the cast skeleton of the dinosaur named Maximo after mounting the head in Stanley Field Hall.

  • Workers repaint the cast skeleton of a titanosaur named Maximo,...

    Chris Walker / Chicago Tribune

    Workers repaint the cast skeleton of a titanosaur named Maximo, one of the new enhancements to Stanley Hall on view on June 1, 2018, at the Field Museum.

  • A models of a flying reptile is suspended above the...

    Chris Walker / Chicago Tribune

    A models of a flying reptile is suspended above the completed model of Maximo, the titanosaur skeleton, in Stanley Hall on June 25, 2018.

  • At the Field Museum, technician Maximo Delloca paints a section...

    Chris Walker / Chicago Tribune

    At the Field Museum, technician Maximo Delloca paints a section of the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 24, 2018.

  • The Field Museum shows the remodeled Stanley Hall featuring Maximo,...

    Chris Walker / Chicago Tribune

    The Field Museum shows the remodeled Stanley Hall featuring Maximo, the titanosaur skeleton model at lower right, as well as hanging gardens and models of prehistoric flying reptiles on June 25, 2018.

  • "Everything Now" is a tighter but not better album. The...

    AP

    "Everything Now" is a tighter but not better album. The heavyweight arena anthems of Arcade Fire's 2004 debut, "Funeral," are long gone, replaced by brooding lyrics encased in lighter music. Read the review.

  • "American Dream" is a breakup album of sorts but not...

    Chris Sweda / Chicago Tribune

    "American Dream" is a breakup album of sorts but not in the traditional sense. This is about breakups with youth, the past, and the heroes and villains that populated it. It underlines the notion of breaking up as just a step away from letting go — of friends, family, relevance. Read the review.

  • A high-powered ad agency executive (Tika Sumpter, right) takes in...

    Chip Bergmann / AP

    A high-powered ad agency executive (Tika Sumpter, right) takes in her ex-con sister (Tiffany Haddish, center) in "Nobody's Fool."  Read the review.

  • Washington D.C. power brokers Dick Cheney (Christian Bale) and Lynne...

    Matt Kennedy / AP

    Washington D.C. power brokers Dick Cheney (Christian Bale) and Lynne Cheney have a date with destiny in Adam McKay's "Vice," co-starring Steve Carell as Donald Rumsfeld.  Read the review. Nomainted for: Best Picture, Best Actor for Christian Bale, Best Supporting Actor for Sam Rockwell, Best Supporting Actress for Amy Adams, Best Director for Adam McKay, Best Original Screenplay, Best Film Editing,

  • "Ye" isn't so much a musical statement as a 23-minute,...

    Chris Sweda / Chicago Tribune

    "Ye" isn't so much a musical statement as a 23-minute, seven-track therapy session. Read the review

  • Queen Anne's (Olivia Colman) court wrestles with the question of...

    Atsushi Nishijima / AP

    Queen Anne's (Olivia Colman) court wrestles with the question of how to finance a war with France. Lady Sarah (Rachel Weisz), the Duchess of Marlborough, uses her wits, her body and the queen's bed to coerce Anne into raising taxes on the citizenry in order to keep the off-screen battle going. Then the unexpected arrival of her country cousin, Abigail (Emma Stone), a noblewoman fallen on hard times. A dab hand with medicinal herbs, Abigail quickly rises above servant status to become the queen's new favorite. Game on! Read the review. Nomainted for: Best Picture, Best Actress for Olivia Colman, Best Supporting Actress for Emma Stone and Rachel Weisz, Best Director for Yorgos Lanthimos, Best Original Screenplay, Best Cinematography, Best Film Editing, Best Production Design, Best Costume Design,

  • "Peace Trail" — Neil Young's second album this year and...

    AP

    "Peace Trail" — Neil Young's second album this year and sixth since 2014 — is occasionally fascinating. It's also not very good, a release that surely would've benefited from a bit more time and consideration, which might have given Young's ad hoc band — drummer Jim Keltner and bassist Paul Bushnell — a chance to actually learn the songs. But the four-day recording session sounds like a getting-to-know-you warmup instead of a finished product. Read the full review.

  • Genie (Will Smith, right) explains the three-wishes thing to the...

    Daniel Smith / AP

    Genie (Will Smith, right) explains the three-wishes thing to the title character (Mena Massoud) in Disney's "Aladdin," director Guy Ritchie's live-action remake of the 1992 animated feature. Read the review.

  • On their new album, "Existentialism," the Mekons turn their audience...

    Armando L. Sanchez / Chicago Tribune

    On their new album, "Existentialism," the Mekons turn their audience and the recording space into accomplices for the band's high-wire act. Read the full review.

  • Capping the trilogy started with "Unbreakable" (2000) and the surprise...

    Jessica Kourkounis / AP

    Capping the trilogy started with "Unbreakable" (2000) and the surprise hit "Split (2017), Shymalan's treatise on superhero origin stories brings James McAvoy, Bruce Willis and Samuel L. Jackson together for a plodding psych-hospital escape.  Read the review.

  • Workers re-paint the cast skeleton of a titanosaur named Maximo,...

    Chris Walker / Chicago Tribune

    Workers re-paint the cast skeleton of a titanosaur named Maximo, one of the new enhancements to Stanley Hall, on June 1, 2018, at the Field Museum.

  • The real stars of "Godzilla: King of the Monsters" are...

    AP

    The real stars of "Godzilla: King of the Monsters" are sound designers Erik Aadahl and Ethan Van Der Ryn. Their aural creature designs actually sound like something new — part machine, part prehistoric whatzit.  Read the review.

  • Workers at the Field Museum begin the process of assembling...

    Chris Walker / Chicago Tribune

    Workers at the Field Museum begin the process of assembling the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 23, 2018.

  • Flying pterosaur models are among the new exhibitions on view...

    Chris Walker / Chicago Tribune

    Flying pterosaur models are among the new exhibitions on view on June 1, 2018, at the Field Museum.

  • In "First Man," Ryan Gosling reteams with "La La Land"...

    Daniel McFadden / AP

    In "First Man," Ryan Gosling reteams with "La La Land" director Damien Chazelle to relay the story of astronaut Neil Armstrong, the first man on the moon. Read the review.

  • On "Here" (Merge), the band's first album in six years...

    Ross Gilmore / Redferns via Getty Images

    On "Here" (Merge), the band's first album in six years and 10th overall, the front line of Norman Blake, Gerard Love and Raymond McGinley once again trades songs (four each) and lead vocals, over sturdily constructed pop-rock arrangements. But the band has taken some subtle evolutionary turns to where it's now a faint shadow of its "Bandwagonesque" incarnation. Read the review.

  • Visitors arrive at the Field Museum after workers finished installing...

    Chris Walker / Chicago Tribune

    Visitors arrive at the Field Museum after workers finished installing the tail on the cast skeleton of Maximo, a titanosaur, in Stanley Field Hall on May 24, 2018.

  • When Aretha Franklin recorded her bestselling gospel album in early...

    AP

    When Aretha Franklin recorded her bestselling gospel album in early 1972, director Sydney Pollack's camera crew shot many hours of footage, unseen publicly until now. "Amazing Grace" is now in theaters.  Read the review.

  • At the Field Museum, Michael Paha, left, production supervisor for...

    Chris Walker / Chicago Tribune

    At the Field Museum, Michael Paha, left, production supervisor for the museum, and Walter Mora, production manager for the Museo Paleontologico Egidio Feruglio in Argentina, mount the head May 25, 2018, on the cast skeleton of the dinosaur named Maximo, nearly finishing the installation of the model in Stanley Field Hall.

  • Workers guide in vertebrae for the Field Museum's new 122-foot-long...

    Chris Walker / Chicago Tribune

    Workers guide in vertebrae for the Field Museum's new 122-foot-long skeleton cast of a titanosaur named Maximo on May 23, 2018.

  • Flying pterosaur models are among the new enhancements to Stanley...

    Chris Walker / Chicago Tribune

    Flying pterosaur models are among the new enhancements to Stanley Hall on view on June 1, 2018, at the Field Museum.

  • Kanye West's "The Life of Pablo" (GOOD/Def Jam) sounds like...

    NBC

    Kanye West's "The Life of Pablo" (GOOD/Def Jam) sounds like a work in progress rather than a finished album. It's a mess, more a series of marketing opportunities in which West changed the album title and the track listing multiple times, to the point where the very thing that made West tolerable despite a penchant for tripping over his own ego — the music itself — became anti-climactic. Read the review.

  • Six miles beneath the Pacific Ocean surface, a team of...

    AP

    Six miles beneath the Pacific Ocean surface, a team of oceanographers and experts discover an entire hidden ecosystem laden with species "completely unknown to science." But Meg comes calling, attacking the submersible piloted by the ex-wife (Jessica McNamee) of rescue diver Jonas Taylor (Jason Statham). Read the review.

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At the Field Museum, the prey has replaced the predator.

Chicagoans this week are finally getting to meet the dinosaur that has kicked Sue upstairs: It’s a red-hued, skinless behemoth that you’ll be able to look in the eye from the museum’s second-floor balcony.

Plans have been public for months about the arrival of the titanosaur from Argentina, a plant eater that many believe to be the largest land animal ever. The T. rex skeleton Sue was dismantled in February and has been rebuilt in a new, second-floor home, awaiting the construction of a surrounding exhibition.

And Wednesday, workers began erecting Máximo, the name chosen for the museum’s Patagotitan mayorum skeleton cast. In the morning it was ruddy piles of bone segments on the museum floor and by Friday it will stretch 122 feet from head to tail and 28 feet from floor toward the ceiling of Stanley Field Hall, the showpiece in an ambitious makeover of the lakefront natural-history temple’s cavernous main room.

They worked fast. By lunch break the crew from the Patagonian museum that supplied the fossil replica had the four legs installed, bolted into metal plates that were themselves bolted to the floor, plus a tree trunk-sized section of vertebrae mounted atop one leg pair. The spider-legged crane that lifted the parts into the air looked a little like a museum specimen itself.

Visitors who happened to be there, including a choir of home-schooled teenagers from Rochester, Minn., marveled at the size and, of course, took videos.

“Maximus?” asked Jacob Janicek, a fourth grader from Stickney on a field trip.

“Máximo,” corrected his teacher.

“It’s really cool that it’s the biggest dinosaur,” the boy said, before he and his group headed off to go check out Sue in its new digs, officially opening early next year.

As the Minnesotans sang peaceable tunes nearby, seemingly most of the museum staff came by to watch the installation, from President and CEO Richard Lariviere to much of the paleontology team to myriad other workers.

“It is a strangely emotional moment,” said Jaap Hoogstraten, director of exhibits.

“Isn’t this fun?” asked Lariviere.

So much so that, earlier, museum maintenance worker Deweese Jackson had stopped by to tell scientists gathered around the “bones,” “That part right there, that reminds me of ‘The Flintstones.”

One section of the backbone was so big that it would not fit in the museum’s freight elevator. It had to be brought in by crane through the south doors early Wednesday. The titanosaur’s rear femur alone, its thigh bone, is eight feet tall. Its hip bones are like ceremonial gongs.

“The size of the bones is simply mind-boggling,” said Peter Makovicky, the museum’s curator of dinosaurs. “Seeing a single bone is stunning. Seeing the whole skeleton just makes my jaw drop.”

He’s got a point, and not only as the discoverer of a couple of new species that will be showcased when the Field opens “Antarctic Dinosaurs” next month.

Not only will that large exhibit debut June 15, but Stanley Field Hall will be transformed by then, too, in a 125th anniversary updating paid for by a $16.5 million gift from Chicago philanthropist Kenneth C. Griffin.

Already the first-of-their-kind hanging plant gardens have been put in place at the hall’s south end. Until the ferns and such grow in — cretaceous-era plants, naturally — they look more like spaceships than garden displays.

And next week, a flock of flying prehistoric creatures will be brought in and lifted in place in the airspace around Máximo, including one with a 35-foot wingspan.

Meanwhile, Sue sits alone in the former 3D theater that is becoming bespoke exhibition space and a stop along the pathway of the “Evolving Planet” exhibit that showcases the museum’s dinosaurs. It’s got some scientific updates to the skeleton, most notably the addition of a wishbone and installation of gastralia, or belly ribs, that give an impression of more mass.

Even amid empty space, the animal (named after its female discoverer but itself of unknown sex; the museum now officially prefers “they” and them” as its pronouns) already looks fiercer and more menacing than it did during two decades in the main hall.

“I always thought Sue was swallowed up in this massive space,” said Lariviere, in Stanley Field Hall. “You finally get a sense of what a massive, terrifying animal that must have been.”

But the new star, clearly, will be Máximo, a Spanish-language name meaning “maximum” that suits the species’ heritage and that Field marketers are hoping will resonate with Latinos here. The T-shirts that spell out the name along an outline of Máximo’s body are already available on the museum website.

“It’s a great, one-two punch,” said Ray DeThorne, chief marketing officer, referring to the museum’s two named skeletons. “Dinosaurs, that’s sort of the bread-and-butter here.”

Bringing in a Patagotitan became alluring to Field executives, he said, as the museum thought about 2018 as its 125th anniversary year and as it learned of the Griffin donation.

Not only should its size help fill the space better than Sue, which is about one third the length, but as a recent discovery, it makes an important point about science and the museum itself.

“Science never sleeps,” DeThorne said. “We’re trying to be less reliant on just the new exhibition.” A new emphasis: “We’re a world-class scientific institution with a really nice showroom.”

A similar looking Patagotitan replica went up at New York’s American Museum of Natural History in 2016, one based, in fact, on the same set of 3D models of bones at the Museo Paleontologico Egidio Feruglio (MEF) in Trelew, Argentina.

There, the animal’s neck spills out of the fourth-floor fossil exhibit welcome room and into an adjacent one, where the elevators let guests off.

“That gallery was the one visited the least. Security guards used to joke about it,” said Mark Norell, paleontology division chair at the New York museum. “But now it is packed with people. … It’s always great to have new dinosaurs on display.”

Chicago’s Patagotitan is a reddish sort of animal, not because that might have been its color when roaming southern hemisphere rainforests, but to suggest the clay soil that lent its coloration to the fossilized bones of the species, discovered near Trelew, in southern Argentina, in 2014.

The discovery was quite a story, said Florencia Gigena, the MEF communications director on hand in Chicago during the installation. “Do you know gaucho?” she asked.

Essentially, an Argentinian cowboy saw what he thought was a round stone that he intended to dig up and use for a rustic version of bocce, she explained. He soon realized this wasn’t any rounded rock poking up out of the arid terrain.

“Do you know Arizona?” she asked, describing the area of the discovery. “Exactly the same.”

Museum paleontologists were called in and learned the gaucho had found a thighbone of what turned out to be this new, massive species. Specialists eventually discovered 228 bones from seven animals at different levels, each specimen about a million years apart, she said.

Scientists think their fate was sealed by their perhaps 70-ton weight and the soft ground on which they stood, along a prehistoric waterway. “You know La Brea?” she asked, referring to the fateful Los Angeles tarpits. “Perhaps it is the same.”

MEF has put the two replicas out into the world, but does not yet have the space in its own museum to show one, she said. An expansion is being built, as are traveling exhibitions that will showcase the discovery, which has also been the subject of a David Attenborough BBC documentary.

“We are super excited,” she said, noting that Friday’s completion date for Máximo is the Argentinian equivalent of the Fourth of July. “For us, this is showing our culture, our science and working with a great museum like the Field Museum and a great city like Chicago.”

Patagotitan, officially named in a 2017 paper, is one of the sauropods, a wide-ranging group of long necked herbivores. Some think it is the biggest animal yet found on the planet, some that it is one of three sauropod species, two from Argentina, one from China, so similar in size that no clear champion emerges.

“To be fair, there are a couple of other giant dinosaurs out there,” Norell said. “This is really at the upper limits of any terrestrial animal we know of.”

What is indisputable is that Patagotitan is the one for which the most complete fossil record exists, giving it, perhaps, the firmest claim to its size. (An actual thigh bone on loan from MEF will be displayed alongside Máximo for two years.)

The animal lived roughly 100 million years ago and was uncovered in farm fields belonging to the Mayo family (hence the name mayorum). Máximo is a composite of the bones that have been found, with scientific interpolation being used to fill in the rest.

“There never will be a display of the original, because there isn’t one,” said Lariviere, noting that, to a degree, a skeleton like Sue, the most complete T. rex ever found, warps people’s expectations. “This is science’s attempt to tell us what it looked like.”

But while Sue may be both an apex predator and an apex artifact, a replica like Máximo has its own advantages. Cast out of fiberglass and polyurethane over a metal structure from molds made from laser-generated images, it’s an accurate likeness.

And its replaceability means people will be allowed to walk right under, and even touch, the “bones.” In fact, the leg bones are cast with color in the resins so that the red shading won’t wear away as visitors rub this new dinosaur — out of curiosity or just to say, “Welcome.”

UPDATE: This is a more detailed version of a story that ran earlier today.

sajohnson@chicagotribune.com

Twitter @StevenKJohnson

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