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A hi-tech simulacrum ... Marina Abramović: The Life.
A hi-tech simulacrum ... Marina Abramović: The Life. Photograph: courtesy of Marina Abramović/Tin Drum
A hi-tech simulacrum ... Marina Abramović: The Life. Photograph: courtesy of Marina Abramović/Tin Drum

Tokyo brothels, one-minute sculptures and a hi-tech Abramović – the week in art

This article is more than 5 years old

The Japanese capital looks back on Edo, Marina Abramović becomes an apparition, and an Austrian joker flattens a car – all in our weekly dispatch

Exhibition of the week

Marina Abramović: The Life

A hi-tech simulacrum of the revered performance artist materialises to tell the story of her life.
Serpentine Galleries, London, 19-24 February.

Also showing

An Allegory by Isaac Oliver, 1590-95. Photograph: copyright National Gallery of Denmark

Elizabethan Treasures
The exquisite and uncanny miniatures of Nicholas Hilliard and Isaac Oliver open tiny bejewelled windows on love and sex in Shakespeare’s world.
National Portrait Gallery, 21 February-19 May.

Franz West
Outrageous humour and dadaish fun from the late Austrian sculptor.
Tate Modern, London, 20 February-2 June.

Life in the City
Superb views of Edo (now Tokyo) in the early 1800s, from bridges to brothels, by Hiroshige and his contemporaries.
Bristol Museum and Art Gallery until 12 May.

Erwin Wurm
Austrian jokes from flattened cars to “one-minute sculptures” by this veteran of witty conceptual art.
Thaddaeus Ropac Gallery, London, 19 February-23 March.

Masterpiece of the week

Photograph: Niday Picture Library/Alamy

Farms Near Auvers, 1890, by Vincent van Gogh
There are no people in this roly-poly rustic scene but there don’t need to be. The houses themselves express human tenderness and vulnerability in their cosy yet mysterious gathering. Roofs have fallen into ruin and windows hide inner worlds. Like people – at least as Van Gogh saw us – these battered old farm buildings are at once ordinary, timeworn, injured and lovable. Both the look and suggestiveness of this poetic pastoral are clearly influenced by the landscape drawings of Rembrandt.
National Gallery, London.

Image of the week

Taxicab driver at the wheel with two passengers, NYC, 1956. Photograph: The Estate of Diane Arbus

More than provoking mere curiosity, Diane Arbus teases our imaginations. Looking at her images we invent backstories and narratives we can never be sure of. She makes us stop and look in the same way that she did, writes Adrian Searle. In the Beginning, an exhibition at the Hayward Galley, London, until 6 May, focuses on her first eight years as an independent photographer.

What we learned

Isa Leshko’s portraits of ageing animals are a tribute to creatures often dismissed

A new book pays lip service to the history of kissing

It’s time to rethink a new UK Holocaust memorial

Niall McDiarmid has gone in search of Van Gogh

Frank Gehry’s Wimbledon concert hall may outshine a £300m City rival

Rock photographer Ethan Russell has relived his legendary moments

Louvre Abu Dhabi is to exhibit Rembrandt and Vermeer masterpieces

Junya Ishigami is to design the 2019 Serpentine pavilion

Axel Rüger has left Van Gogh behind to head the Royal Academy

Afghanistan’s Generation Z have grown up overshadowed by war

Jeff Koons is a master of deflection

What’s really behind Mark Bradford’s ambitious bodycam project

How life is coming back to a California landscape scorched by wildfires

A new exhibition celebrates the history of social and political artwork

… while a new website is digitising millions of watercolours

Artists are predicting the future … and it’s alarmingly bleak

Robert Ryman, known for his white paintings, has died

… our critic Adrian Searle paid tribute

Zilia Sánchez, a 92-year-old artist, gets her first museum retrospective

George Shaw talks about his greatest hits

Why Andres Serrano turned his camera to torture

Dutch photographer Robin de Puy talks us through the people she encountered while travelling the world

Tate Modern has won a privacy case brought by owners of £4m flats

Genius Diane Arbus made every picture a story

The State of the Union address and Central American migrants in Mexico were the subject of the Observer’s 20 photographs of the week

Rory Doyle resists stereotypes in his exhibition on the black cowboys of Mississippi

A photo essay illuminates life on board Zimbabwe’s only commuter train

Joan Jett Blakk echoed civil rights history in her presidential poster

Rembrandt makes human chaos glorious

Sotheby’s is to exhibit rare works by “cultural magpies” of Bauhaus

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This article was amended on 20 February 2019. An earlier version missed a “d” from the name of the Thaddaeus Ropac Gallery. This has been corrected.

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