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Heel boy … The Wounded Achilles by Fillippo Albacini, in Troy: Myth and Reality.
Heel boy … The Wounded Achilles by Fillippo Albacini, in Troy: Myth and Reality. Photograph: The Devonshire Collections, Chatsworth/British Museum
Heel boy … The Wounded Achilles by Fillippo Albacini, in Troy: Myth and Reality. Photograph: The Devonshire Collections, Chatsworth/British Museum

The most reviled king ever and the greatest artist alive – the week in art

This article is more than 4 years old

Anselm Kiefer teeters on the edge of reality, Nan Goldin tests drugs and memory, and the visions of the weeping icon revealed – all in your weekly dispatch

Exhibition of the week

Troy: Myth and Reality
This exhibition promises a fascinating look at how the legends of the Trojan war compare with what archaeology can tell us – does Homer’s Iliad have any factual basis?
British Museum, London, 21 November to 8 March.

Also showing

Anselm Kiefer
The latest spectacular installation by the greatest artist alive explores the cutting-edge physics of string theory.
White Cube Bermondsey, London, 15 November to 26 January.

Nan Goldin
A new slide show about drugs and memory features in what should be a compelling survey of Goldin’s raw yet romantic art. She’s one of the camera’s true greats.
Marian Goodman Gallery, London, until 11 January.

George IV: Art and Spectacle
Britain’s most reviled king presided over a golden age of creativity that included Keats, Turner, Shelley (and her bloke) and Austen. But he was mercilessly satirised by Gillray.
Queen’s Gallery, London, 15 November to 3 May.

Dora Maar
The surrealist photographs of the woman painted by Picasso as a weeping icon of 20th-century suffering.
Tate Modern, London, 20 November to 15 March.

Image of the week

Stitches in time … an embroidered photograph from Joana Choumali’s series Ça va aller (It Will Be OK)

Joana Choumali became the first African – and only the second woman – to win the Prix Pictet award for photography and sustainability, with her series of embroidered images of people in Ivory Coast rebuilding their lives in the wake of a 2016 terrorist attack.

What we learned

Gus Casely-Hayford will lead the V&A East

Greta Thunberg is watching over San Francisco

Troy rises again to challenge its place in history

Steve McQueen’s class act aims to inspire future artists

The winners of Australia’s 2019 National Architecture awards were announced

National Galleries Scotland became the latest institution to shun BP

China’s art market is exploding

Artemisia Gentileschi’s star continues to rise

The Martin brothers’ quirky pottery is having a moment

Cornelia Parker opened her first major show in the southern hemisphere

Nnena Kalu gives a compelling glimpse of how autism informs her art

A Welsh Botticelli turns out to be real

Multimedia works round the clock

Robots have taken over Dundee

Pennie Smith talked about her classic Clash portraits

Manet cheated at doodles

Demolition work has raised fears for a Paolozzi sculpture

Glaciers are in meltdown

Michael Owunna searches for Limitless Africans

Winners of the Climate Visuals award were announced

Dance has always had a love affair with fashion design

We remembered the designer Richard Snell …

… and stonemason Trevor Proudfoot

Three versions of an Elizabeth I portrait will be seen together for the first time

Police foiled an attempt to steal two Rembrandts from an exhibition

The Sharjah Architecture Triennial extravaganza opened in the UAE

Masterpiece of the week

Photograph: Alamy

Penelope with the Suitors, c 1509, by Pinturicchio
This scene of a woman’s creativity, courage and resourcefulness comes from the ancient Greek legends that swirled around the war on Troy. Homer’s Odyssey tells how, after the Greeks finally destroyed Troy and set off home, their most cunning leader, Odysseus, got into one strange adventure after another that killed his men and delayed his homecoming. Meanwhile, his wife Penelope had to hold off an army of unwanted suitors – which she did by saying they would have to wait until she had finished her weaving, before unpicking it every night. This painting turns her into a Renaissance woman besieged by men in tights. The ship in the background looks as if it could belong to Columbus and fuses the voyages of Odysseus with the age of discovery. Penelope projects strength and wit – it’s Homer reimagined as a Shakespeare comedy.
National Gallery, London.

Don’t forget

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