The Grand Tour

These Two Creatives Left New York to Build a Distinctly Miami Home

Florist Elizabeth Jaime and experiential designer Chaz Capobianco commit to pastel hues and vintage treasures
Chaz  Elizabeth and Walter the dog standing at the front door of their MiMostyle home.
Chaz (left), Elizabeth, and Walter the dog standing at the front door of their MiMo-style home.Kris Tamburello

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After years of renting Brooklyn apartments, Elizabeth Jaime was ready to settle down in a place of her own. The former Bon Appétit photo editor turned florist and experiential designer Chaz Capobianco knew that buying a New York City home was an unattainable dream, so they set their sights on her native Miami instead.

Though the creatives weren't obsessed with the South Florida locale, they were willing to give it a chance in order to purchase property. “In New York, we didn’t know anyone who owned a house,” Elizabeth admits. “Here, we had the ability to do that.”

“When we make any sort of decision, like the kitchen design or paint colors, we’re always referencing the terrazzo floor,” Elizabeth shares. “Since it’s such a big part of the house, we make sure not to introduce anything that would clash.”

Kris Tamburello

Once they started looking at real estate, though, the duo leaned into the Miami vibes. They prioritized historical character in their search and ended up with a 1952 Miami Modernist–style (a.k.a. MiMo) two-bedroom in North Shorecrest. With a flat roof, geometric shutters, and original terrazzo floors, it had just the regional aesthetic they wanted.

On the exterior, Elizabeth and Chaz added curb appeal with lush, tropical landscaping and a coat of peach paint on the accents. They also swapped the old, squiggly pathway for a straight line of concrete blocks to accentuate the sharp angles of the architecture.

“That space was very challenging. We didn’t know what to do with it. It felt like this dead zone, so we made it a seating corner,” Elizabeth says of the curated vignette.

Kris Tamburello

The interior offers an airy, open floor plan, which is rare for the house’s age, and copious windows that usher in natural light. Combined with simple white walls, the ambiance is intentionally relaxing. “My work is so colorful and chaotic that, when I come home, I want it to feel serene and calm,” Elizabeth says.

To avoid a sense of bareness, however, Chaz installed wood paneling on a central wall. The retro feature nods to the midcentury origins of the structure, while still looking modern, thanks to the use of rift sawn white oak. “It’s added a nice visual interest to the house that it didn’t have before,” Elizabeth reflects.

Chaz, pictured here with Elizabeth and Walter, also made a custom frame for the universe-inspired Anne Nowak poster hanging in the dining area.

Kris Tamburello

Floating shelves make the compact kitchen seem more spacious and provide Elizabeth and Chaz an opportunity to display beloved ceramics.

Kris Tamburello

Chaz employed the same material to craft cabinets, rectangular handles, and floating shelves for the kitchen, which he gutted and renovated himself. The storage system is paired with creamy porcelain counters and a stainless steel gas range that he connected to a propane tank in the backyard. “We love to cook, so the upgrade from electric felt worth it,” Elizabeth says.

When it came to furnishing the space, Elizabeth mixed contemporary pieces with vintage gems sourced from local Instagram resellers. In the living area, a pistachio-hued BoConcept couch juxtaposes a ’70s Italian tubular chrome sling chair from Casa de Barcelona, an ’80s pink corrugated cardboard lamp from Nine Fourteen, and a ’90s green marble coffee table that had been sitting in her grandparents’ basement.

A trusty Rove Concepts platform bed traveled with Elizabeth from New York.

Kris Tamburello

The dining nook revolves around a dark brown table with chunky, elephant legs from Core Street Studio and replicas of Marcel Breuer’s Cesca chairs, which sit below an ornate Gaetano Sciolari chandelier. Meanwhile, the compact main bedroom is made cozy with a linen curtain and a ’70s SCE TeePee table lamp from Primaried that glows warmly.

Of course, sculptural floral arrangements and verdant potted plants are scattered about—but not as abundantly as you might expect in a florist’s abode. “What happens is, we put them outside for a minute, and they’re so much happier that we feel bad bringing them inside,” Elizabeth explains. Luckily, they’re homeowners now, so they can do what they want.

After failing to find a piece narrow enough for the entryway, Chaz built a monolithic console himself. “I wanted something chunky with a rounded edge,” Elizabeth mentions. “The house has a lot of right, hard angles, so I wanted to do something more curved and cylindrical.”

Kris Tamburello