Judy Chicago: Revelations review – cosmic cobblers from a pseudo goddess Serpentine North Gallery, London Her cosmological screed is tiresome and her blissed-out female figures are idealised beyond belief. But at least her musclebound men cavort, weep blood and urinate realistically I always assumed Judy Chicago deserved the credit for her 1970s masterpiece of feminist art, The Dinner Party , an epochal installation in the form of a triangular table set with places fo… |
Orlando Museum of Art Gets a Gift With Strings and Tries to Cut Them The museum has asked a Florida court to remove restrictions on a donor’s bequest amid a financial crisis in the wake of its failed, “fake” Basquiat show. |